Manual Roc the Mic Right: The Language of Hip Hop Culture

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Alle artikelen van H. Samy Alim
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  1. Roc the Mic Right: The Language of Hip Hop Culture - H. Samy Alim - Google книги
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  5. Roc the Mic Right: The Language of Hip Hop Culture

With its status convincingly argued as the best means by which to read Hip Hop culture, H. Samy Alim then focuses on discursive practices, such as narrative sequencing and ciphers, or lyrical circles of rhymers. Often a marginalized phenomenon, the complexity and creativity of Hip Hop lyrical production is emphasised, whilst Alim works towards the creation of a schema by which to understand its aesthetic.

Roc the Mic Right: The Language of Hip Hop Culture - H. Samy Alim - Google книги

Using his own ethnographic research, Alim shows how Hip Hop language could be used in an educational context and presents a new approach to the study of the language and culture of the Hip Hop Nation: 'Hiphopography'. The final section of the book, which includes real conversational narratives from Hip Hop artists such as The Wu-Tang Clan and Chuck D, focuses on direct engagement with the language. A highly accessible and lively work on the most studied and read about language variety in the United States, this book will appeal not only to language and linguistics researchers and students, but holds a genuine appeal to anyone interested in Hip Hop or Black African Language.

I cannot find much fault with this book because I think Alim gets it right. He gets the culture. It made me excited about hip hop studies in that the diversity among the scholars of hip hop studies can benefit greatly from the variety of perspectives. If a problem with the work must be raised it is minor in terms of what this work does.

Chapter 2 draws a connection to copula-use similarities in Arabic and Black language. Also, in chapter 4, Alim concludes with the observation that more and more African Americans are accepting Islam but does not demonstrate how he came to that conclusion.

Perhaps statistical data might be appropriate here. This site is best viewed in Google Chrome , Firefox 3 , and Safari 4. If you are having difficulty viewing the site, please upgrade your browser by clicking the appropriate link. Last revised June 21, Haupt, Adam.

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Helbig, Adriana N. Bloomington: Indiana University Press, Hine, Darlene Clark, Tricia C. Keaton, and Stephen Small. Black Europe and the African Diaspora. Urbana: University of Illinois Press, Huq, Rupa. Ibrahim, Awad.

ISBN 13: 9780415358774

Jacobsen, Matthew Frye. Kajikawa, Loren. Sounding Race in Rap Songs. Berkeley: University of California Press, Kazanjian, David. Kelley, Robin D. New York: Free Press, Fighting the Culture Wars in Urban America.


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  • Citations per year.

Boston: Beacon Press, Keyes, Cheryl L. Rap Music and Street Consciousness. Klopp, Brett. Westport, CT: Praeger, Krims, Adam. Rap Music and the Poetics of Identity. Cambridge: Cambridge University Press, Kroes, Rob. Lipsitz, George. Lott, Eric.

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Malone, Christopher and George Martinez, Jr. Manabe, Noriko. Mercer, Kobena. Mitchell, Tony, ed. Miyakawa, Felicia.

Roc the Mic Right: The Language of Hip Hop Culture

The Avid Listener, 4—24 November Morgan, Marcyliena. Moten, Fred. Berlin: LIT Verlag, Olaniyan, Tejumola.

Real Hip Hop Vs. Fake Hip Hop

Peabody, Sue, and Tyler Stovall, eds. Pennycook, Alastair. Perry, Imani. Perry, Marc. Poiger, Ute G.

Potter, Russell A. Radano, Ronald and Philip V. Bohlman, eds. Music and the Racial Imagination. Rodney, Walter. How Europe Underdeveloped Africa.

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Rodriguez, Richard. Brown: The Last Discovery of America. New York: Viking Penguin, Roediger, David R. Rollefson, J. Glenda Goodman Fall : — Felix Meyer, Carol J.